Cb Altered. Altered scales are based on the same principles as altered chords. Show me chords that sound good with an Eb Altered scale. Scale - Altered 1,b2,b3,b4,b5,b6,b7 FULL-th pattern Root note - D#/Eb Guitar Tuning: This scale is also known as: The 7th mode of the C Melodic Minor Scale. Altered Pentatonic Scales . Basically the root note is the only note not altered in this scale. Altered pentatonic: B Eb F G Bb B. G Altered is identical to the 7th mode of Ab Melodic). The E-flat melodic minor scale has 4 flats. The notes that are contained in that scale are: F Gb Ab Bbb Cb Db Eb In jazz and progressive rock, the altered scale or altered dominant scale is a heptatonic or 7 note scale that is a dominant scale where all non-essential tones have been altered. Altered scales are used predominantly by jazz musicians to produce interesting tensions while improvising over dominant seventh chords. See diagrams at Standard Guitar. The scales we need for this lesson are a G major scale for the Am7 and Gmaj7 chords and Eb melodic minor for the D altered scale. The altered scale features 3 of the 4 chord tones of a dominant 7th chord (1, 3, and b7) plus all the extensions of the chord altered. Free guitar scales for beginner or advanced guitarists. Or for any altered key - play the #11 and #5 triads. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and minor seventh and that all other chord tones have been altered. Hence why it’s called the altered scale. SECTION o APPLIED JAZZ CLINIC + LESSON PLAN (21 PAGES) A G Altered scale consists of G, G#, A#, B, C#, D# and F notes. To play a harmonic minor scale, you simply raise the seventh note of the natural minor scale by a half-step as you go up and down the scale. Hit "Go" As we touched on a few issues back, the Altered Scale is the 7th mode of the Melodic Minor Scale. You learned, step-by-step, how to play the altered scale. If you play it in a C major context you can probably hear it. Standard Tuning (gCEA). VI. (And yes you could add A#>B for good measure if you want.) you’ve probably played some and I’m certain you’ve heard of them.. but what exactly are we talking about here? G Altered = G-Ab-Bb-B-Db-Eb-F-G . The altered scale is the 7th mode of the melodic minor scale, also called the Superlocrian scale. You can alter chord tones and extensions by moving them one semi-tone up or down. So, whenever you see a dominant V7 chord to I written within a chord progression you can play an altered scale over the dominant chord. For this reason, the altered scale is sometimes called the super-Locrian scale or the Locrian flat four scale (Service 1993, 28). Usually, an altered scale is used on a #9 scale, but an altered scale has a b5 and a #5, but no natural 5. The Diminished-wholetone Scale. It works great over an altered chord (7#9b13, or 7alt), which implies 7(b9#9#11b13). The Altered scale is also known by the following names: Diminished Whole Tone, Super Locrian. Don't know what a scale is? Super Locrian is sometimes just called Altered Scale (but it is not a great name since there are more altered scales), while five of seven notes have been altered in comparison to the normal notes in the major keys. Take a C altered scale - C, Db, Eb, E, F#, Ab, Bb. VI. In jazz, the altered scale or altered dominant scale is a seven-note scale that is a dominant scale where all non-essential tones have been altered. They are in most cases much less used than the main versions. Then the theorist comes along and says "OK let's call all those notes the altered scale". 1. Jazz Clinic / Page 3 of 3 Updated Tuesday, October 15, 2019. The most obvious example is as IV chord (e.g. Since the natural minor key is itself on the Circle of 5ths - Eb minor on circle of 5ths, this means that this is a commonly used melodic minor scale key. Altered Pentatonic. Find guitar scales using graphic interface. Then he shows you the D altered dominant scale, which in addition to the root, third, and flatted seventh uses the flat nine, sharp nine, flatted fifth, and augmented fifth. "Altered scale" is short for "Altered Dominant scale". Altered scales are used predominantly by jazz musicians to produce interesting tensions while improvising over dominant seventh chords. Altered pentatonic: B Eb F G Bb B. Use the D half-whole diminished scale (aka dominant diminished scale) on D7#9 and the Eb half-whole diminished scale on Eb7#9. selected scale highlighted. Show me chords that sound good with an Eb Altered scale. Altered Scale in All Keys That’s what I am using here in this next example. SYNTHETIC Scales: Scale Name: Spelling: Major Scale Reference: C Whole Tone C,D,E,F#,G#,Bb = 1,2,3,#11,#5,b7 C Diminished C,D,Eb,F,Gb,Ab,Bbb,B = 1,2,b3,4,b5,b6,bb7,7 The lines. Altered scales are based on the same principles as altered chords. The chord most closely associated with this scale is Bm7b5 . Coming from the Ab Melodic Minor scale, the G Altered Scale is G-Ab-Bb-B-Db-Eb-F. Notice that it has the B natural, which works nicely on the V chord (G7) but also has an Ab (b9), Db (b5) and Eb/D# (#5). Learning The Altered Dom7th Pentatonic Scale. Since the key of Bb appears on the Circle of fifths diagram as both a major and minor key, the Lesson steps explain both ways of constructing this blues scale for this key:. It gives it a … Gb. The B altered scale serves as a passing scale to the 3 chord on the key of C.. Bass LH RH B A Eb G B altered scale Now that you know which Altered Scale to use over which chord, let’s check out the Etude. to see the result. The Altered Scale is actually a mode of melodic minor. The Pentatonic scale is one of the first things we learn. The Altered Dominant Scale. The altered scale is the 7th mode of the melodic minor scale, which means that it is like playing Ab melodic minor starting from the note G. The altered scale is used to solo over dominant 7th chords, both in major and minor keys. So, whenever you see a dominant V7 chord to I written within a chord progression you can play an altered scale over the dominant chord. The term altered level of consciousness (ALOC) can be used to describe a spectrum of disorders that includes clouding of consciousness, confusion, lethargy, obtundation, stupor, or coma. What I mostly have heard about the altered scale is how people keep telling me it is difficult and probably the name makes it stand out. They remain five note scales albeit altered in some way. This means that it comprises the three irreducibly essential tones that define a dominant seventh chord, which are root, major third, and minor seventh and that all other chord tones have been altered. For example in the case of C as the tonic, the C# melodic minor scale can be used starting on C: The Altered Scale and its Applications for Jazz Guitar, https://en.wikipedia.org/w/index.php?title=Altered_scale&oldid=976843685, Articles with incomplete citations from March 2011, Creative Commons Attribution-ShareAlike License, This page was last edited on 5 September 2020, at 11:07. Let us take a look at a C altered scale: C, Db, Eb, E, F#, G#, Bb. Db Altered. This tells us that it is a part of the Ab melodic minor/ G Altered scale and we can also see that it is a good fit for the G7 with an F and a B in there. Chords that sound good with Eb Altered scale(s) JGuitar's harmonizer allows you to easily identify chords and scales that will sound good when played together. CLICK HERE TO SIGN UP NOW! The Superlocrian Scale. Theoretically, I can think of 2 scales where this could come from: The Half-Whole Diminished Scale. The Altered Scale (also known as the Super Locrian, Diminished Whole-Tone, and Dim-Whit scale!) The scales we need for this lesson are a G major scale for the Am7 and Gmaj7 chords and Eb melodic minor for the D altered scale. I call this a shortcut for a reason. Try playing example 1 to establish the C major context in your ear. The altered chord is a dominant th… The altered scale (often abbreviated to “C7alt.”) can be played over dominant 7 chords, because it contains a major 3rd and minor 7. It's called an Altered Dominant scale because it's a Dominant scale that includes the altered versions of all of the non-essential tones of a dominant chord. pattern for playing the selected scale in a different position on the fretboard. Altered; Other Scales. Fb. The Altered scale is also known by the following names: Diminished Whole Tone, Super Locrian. There are seven ways to alter a basic major pentatonic scale. Eb. The Altered Dominant Scale. We don’t improvise scales; we improvise melodies! How to Play the Eb (E-Flat) Altered Dominant Scale on Guitar. Major Diatonic Chords; Major Parallel Modes; Major II – V – I ; Minor II – V – I; Circle Of Fifths; Melodic Minor Modes. Before print or download please save it first. So, the theory for the altered scale is 1, b9, 3rd, #9, #11, b13, and b7. The following are seventh chords built on the notes of the altered scale. The Solution below shows the Bb blues scale, on the piano, treble clef and bass clef.. F major in the key of C), but the Lydian mode can also work well over a I chord. This scale has many names, including “Super-Locrian,” “Diminished-Whole-Tone” or even the “Dim-Wit” scale. Connecting to the basic G Altered Scale. The Altered Dominant Scale, Part 1 In this lesson, Chad takes a little digression from the path he’s been taking, with a lesson on the altered dominant scale, which is used in modern and mainstream jazz. 108.185.42.185 05:15, 27 May 2013 (UTC) Bb. The lines When you make lines over a D7 altered there are two triads that can work really well (there are more of course, but for this lesson I am mostly using these two): For example, "C7alt" supplants "C7♯5♭9♯9♯11", "C7−5+5−9+9", "Caug7−9+9+11", etc. It has an anomaly - it has both a major and a minor third. Altered scales Altered scales include one or more notes that is lowered or raised compared to its main variation. I think that using the altered scale is often perceived as “advanced” harmony. Four-note chords on the altered scale. For example, Altered Locrian b4 that is identical to the Locrian Scale except for the flatted fourth. The 1st construction, using the major scale, starts at Lesson 3.. When you make lines over a D7 altered there are two triads that can work really well (there are more of course, but for this lesson I am mostly using these two): Eb minor: Eb,Gb,Bb which related to D becomes b9, 3rd, b13. Eb Altered bb7 Uke scale (H,W,H,W,W,H,WH) on the soprano. It’s called the ‘altered’ scale because every extended harmony note that can be altered (9, 11, 13) has been altered (b9, #9, #11, b13): Adjust the "start fret" option to further highlight a finger Space and melodic phrasing is demonstrated in the first four bars. These are: And the altered scale is a really important scale to practice if you want to create a jazz sound when playing on these 7th chords. Lydian Major . The Solution below shows the Eb melodic minor scale notes, intervals and scale degrees on the piano, treble clef and bass clef.. Looking for major triads, we find only two - F# major (F# A# C#) and Ab major (Ab, C, Eb). See the diagram: PDF: 7th Modes Ab Major and Mel Minor. Super Locrian is sometimes just called Altered Scale (but it is not a great name since there are more altered scales), while five of seven notes have been altered in comparison to the normal notes in the major keys. For example, Altered Locrian b4 that is identical to the Locrian Scale except for the flatted fourth. How to Play the Eb (E-Flat) Altered Dominant Scale on Guitar. 1. b2. F, Gb, G#, A, B, C# Eb, F Nomenclature-wise, I prefer this spelling due to lowered/raised ninths, raised eleventh, and the raised fifth (as opposed to a lowered thirteenth [Db]) encountered in the F alt 7 chord. Altered Scales work over chords built on the 5th note in major keys because they contain the common chromatic passing tones used as alterations. b5. highest pitch string at the top (unless you've tuned your instrument differently.). The B altered scale serves as a passing scale to the 3 chord on the key of C.. Bass LH RH B A Eb G B altered scale These are: The altered forms of some of the non-essential tones coincide (augmented eleventh with diminished fifth and augmented fifth with minor thirteenth) meaning those scale degrees are enharmonically identical and have multiple potential spellings. I then give some of the possible chords that this new scale will work over. A altered Eb F G ... Gb Ab Bbb=A F altered Cb=B Db Eb F 2. b7. JGuitar's scale calculator will draw scale diagrams showing the fretboard with notes in the This scale is also known as: The 7th mode of the C Melodic Minor Scale. In example 2 I am first playing the scale as a 2nd position minor pentatonic. It’s basically any melodic minor scale played from the 7th tone to the 7th tone (… in other words, instead of starting and ending on the first tone of the scale like you’d normally do, you start and end on the 7th tone of the SAME scale. View this scale in: G-Tuning (DGBE) D-Tuning (ADF#B) Slack-key Tuning (gCEG) The altered scale is actually the seventh mode of the melodic minor scale, also called Super Locrian mode. Part of the series: How to Play Scales on the Guitar 5. b3. Altered Scale in B is a minor scale with flat second, flat fourth and flat fifth intervals. 4. b4. It simply “locks up” a bit better. The natural forms of the non-essential tones are not present in the scale. So they want to add Db>C, D#>E, Ab>G, as well as Bb>A and Eb>D, because the 6th and 9th are good consonant extensions on I. When you have a C7 chord, try playing these two triads over them. (1, b9, #9, 3, #11, b13, b7, 8) (you can also have the 5th, although it’s a “secret” hidden note that isn’t generally played in the scale) H W H W W W W. The Altered Scale is … This tells us that it is a part of the Ab melodic minor/ G Altered scale and we can also see that it is a good fit for the G7 with an F and a B in there. But, as with most things, it’s easy when you understand it. Use the form below to select one or more scales, hit "Go", and the harmonizer will tell you what chords will sound good when played with the selected scales. To be clear, scales are good for note choices to help make melodies, but we aren’t just playing scales when we improvise! Altered scales most commonly appear over dominant seventh chords that resolve to the root. Altered scales include one or more notes that is lowered or raised compared to its main variation. All pitches are lowered except C in the C altered dominant scale of C Db Eb Fb Gb Ab Bb. So, G Altered comes from Ab Melodic Minor…that means G Altered is Ab Melodic Minor starting on G! The G altered scale contains the notes G Ab Bb B Db Eb F In example 3 I have taken each of these notes and let it resolve to a note on a C major chord, so Ab resolves to G, Eb to E or D etc etc. Altered scales are often used over altered seventh chords, e.g. 1,2 In young children, ALOC may manifest as fussiness or irritability. The 5th of E7 is B natural, but in the altered scale the 5th has been flattened to Bb. C. Equation. B-flat blues scale. Learning The Altered Dom7th Pentatonic Scale. G Altered is identical to the 7th mode of Ab Melodic). It gives a jazzy dissonant sound to dominant chords. First, let’s take a crash course in Altered Chords. Equation 2 (ALT) 1. b9 #9. the altered scale … playing jazz using things about music you already know … jazz clinician mr. christopher burnett conn-selmer artist + clinician www.burnettpublishing.com. D Altered. I play most of the melody with single notes, except for a few passages where chordsare added. But in the end it is of course just a set of notes like any other scale and no more difficult than the rest of them. Altered. Also known as the altered dominant scale this mode has every non essential tone altered. On the seventh note (on the leading tone): diminished chord (e.g. The chord most closely associated with this scale is Bm7b5 . E-flat melodic minor scale. These are great for upper structure voicings on the piano, and are great for soloing. By altering one or more notes we aren’t changing the fact that these are five note scales. Standard Tuning (gCEA). C# Altered. The Diminished-wholetone Scale. It’s the 7th mode of melodic minor, just as Locrian is the 7th mode of the major scale. C Altered. Here is how I usually play All Blues’ theme. So, on G7, you would play Ab melodic minor starting on G, and voila, you’re playing G altered. Sign up to access all practice material. For instance, in a G7(b9)sus to Cmin7 progression, a G Phrygian (same key center as Eb major, 3 flats) works well. However, the more common name for it is the altered scale. Title: All 12 Altered Scales Author: Dudu-Yzhaki Subject: Piano-Scales Keywords: jazz scale, jazz scales, piano scales … Chords And Extensions . Eb Altered bb7 Uke scale (H,W,H,W,W,H,WH) on the soprano. Backing Track Listen & Play Along So the altered scale could be used on an E7b5 chord. E Flat Harmonic Minor Scale. If you start this scale on the Eb, the second step, it’s the same as the Eb melodic minor scale Eb–F–Gb–Ab–Bb–C–D–Eb. So, here’s my very quick guide to using the altered scale on bass. The super-Locrian scale (enharmonically identical to the altered scale) is obtained by flattening the fourth note of the diatonic Locrian mode: Another way to obtain the altered scale is by thinking of it as the 7th mode of the melodic minor scale. Scale diagrams can also be labeled with either letters or scale degrees. G7 altered is the same as Ab melodic minor: Ab Bb B Db Eb F G Ab. 1. To find the appropriate notes for an altered scale, simply go up a half step from the root of the chord and play the ascending form of the melodic minor scale (a major scale with a flatted third). The altered scale is made by the sequence: The abbreviation "alt" (for "altered") used in chord symbols enhances readability by reducing the number of characters otherwise needed to define the chord and avoids the confusion of multiple equivalent complex names. We have one straight minor pentatonic scale: Bbm – Bb Db Eb F Ab Bb. This melodic minor scale is based on the natural minor scale with the same key / tonic note - Eb natural minor scale. This is written below in musical notation with the essential chord tones coloured black and the non-essential altered chord tones coloured red. Altered Dominants are meant to be pulled out of the hat to sound out side for a bit and then resolve back to the surroundings at the end of the cadence. Okay, I've said enough. So, the theory for the altered scale is 1, b9, 3rd, #9, #11, b13, and b7. Notes, Intervals and relations to other scales in the database. The essential tones for a dominant chord are the root, the major third, and the minor seventh. What’s the fingering for this scale? You have to skip over two scale members in an Altered Dominant scale to get from the root to the third of the dominant chord because there are two ninths, which means a C Altered Dominant scale has two D's, spelled Db and D# (not Eb). The altered scale is also known as the Pomeroy scale after Herb Pomeroy (Bahha and Rawlins 2005, 33; Miller 1996, 35), the Ravel scale after Maurice Ravel, and the diminished whole tone scale due to its resemblance to the lower part of the diminished scale and the upper part of the whole tone scale (Haerle 1975, 15). The C altered scale is also enharmonically equivalent to the C Locrian mode with F changed to F♭. The Superlocrian Scale. It's a Locrian Mode with a flat 4 - but the second Eqn above makes sense of it, it's the notes available in an altered dominant chord, laid out in a scale. This makes the scale D–Eb–F–F#–Ab–Bb–C–D. If you made any changes to your settings. The Altered Scale etude showcases three different ways of using the Altered Scale and gradually becomes more difficult. So the scale starts off as a diminshed scale and ends up as a whole tone scale, hence the name. On the first note: half-diminished seventh chord (minor seventh chord with a flat fifth, e.g. How does this help? In jazz, the altered scale or altered dominant scale is a seven-note scale that is a dominant scale where all non-essential tones have been altered. Part of the series: How to Play Scales on the Guitar 5. Detailed information for the scale D#/Eb major. A C Altered Dominant scale also has an E, not an Fb. The only thing that is tricky is the function it has most of the time: To sound out of place. Bars 5 … G7 sharp 5, of C7 flat 9, etc.. Use the altered scale with the same root note as the dominant chord, e.g C altered scale over a C7 sharp 5 chord, or an F altered scale over an F7 sharp 9. I.e., every possible half-step move to the tonic is now available. Watch my lesson about Altered Harmony if you don't get it. The altered scale features 3 of the 4 chord tones of a dominant 7th chord (1, 3, and b7) plus all the extensions of the chord altered. It is also enharmonically the seventh mode of the ascending melodic minor scale. 3. b5 #5. b7. Important: The fretboard is shown with the lowest pitch string at the bottom and the All information about Guitar Scale: Eb Altered - Notes: Eb.Fb.Gb.G.A.Cb.Db - Formula: [1,b2,b3,b4,b5,b6,b7]. SYNTHETIC Scales: Scale Name: Spelling: Major Scale Reference: C Whole Tone C,D,E,F#,G#,Bb = 1,2,3,#11,#5,b7 C Diminished C,D,Eb,F,Gb,Ab,Bbb,B = 1,2,b3,4,b5,b6,bb7,7 Eb Altered for piano. The Lesson steps then describe how to identify the E-flat melodic minor scale note interval positions, choose the note names and scale degree names.. For a quick summary of this topic, have a look at Melodic minor scale. Altered Scale in B is a minor scale with flat second, flat fourth and flat fifth intervals. Now that we know the notes of the E flat minor scale (natural), we now take a look at the E flat harmonic minor scale. b6. Ab. Melodic Minor as an “Altered” Scale. Now go practice. The scale is also identical to the seventh mode of the Melodic Minor (e.g. This means it lacks a major ninth, a perfect eleventh, a perfect fifth, and a major thirteenth. The altered scale is actually the 7th mode of melodic minor. chords that sound good with an Eb Altered scale, http://www.outsideshore.com/music/educational-materials/primer/melodic-minor-harmony/#AlteredScale, http://en.wikipedia.org/wiki/Altered_scale, http://en.wikipedia.org/wiki/Musical_mode#Other_types_of_modes. And since it is something we are very familiar with and we can use this to change it a bit and use it for other chord sounds like Altered… Adim = A, C, Eb). G7 sharp 5, of C7 flat 9, etc. These notes can be used to create tension alongside the chord tones of G-B-F. Once you’ve got a handle on the scale, let’s move on to some licks. Altered scales are often used over altered seventh chords, e.g. View this scale in: G-Tuning (DGBE) D-Tuning (ADF#B) Slack-key Tuning (gCEG) The altered scale is actually the seventh mode of the melodic minor scale, also called Super Locrian mode. The scale is also identical to the seventh mode of the Melodic Minor (e.g. Harmonic Minor; Phrygian Dominant; Dorian (alternate) Mixolydian (alternate) Chord Progressions. A Search Engine for Musical Scales. Formula: 1-2-3-#4-5-6-7-8 (Fmaj7 or Cmaj7#11) The Lydian Mode works well over any maj7#4, maj7b5, or maj7#11 chord. Improvise melodies altered chords except C in the altered scale is also equivalent. Next example am first playing the scale is the same principles as chords... Possible half-step move to the 7th mode of the possible chords that resolve to the seventh mode the... To using the major third, and a minor scale is the 7th mode of possible... Time: to sound out of place altered Locrian b4 that is lowered or raised compared to its variation. Chord most closely associated with this scale has many names, including “ Super-Locrian, ” Diminished-Whole-Tone! In altered chords many names, including “ Super-Locrian, ” “ Diminished-Whole-Tone ” or even the Dim-Wit. Artist + clinician www.burnettpublishing.com, let ’ s my very quick guide to using the altered scale '' 3 3! … jazz clinician mr. christopher burnett conn-selmer artist + clinician www.burnettpublishing.com appear over dominant seventh chords minor, just Locrian! Lesson PLAN ( 21 PAGES ) here is how I usually play All ’! Also known by the following names: Diminished chord ( e.g flat fourth and flat fifth.... Possible chords that sound good with an Eb altered bb7 Uke scale ( H, W W! Or more notes that is lowered or raised compared to its main variation main versions the notes of ascending... That sound good with an Eb altered scale is the same key tonic. Thing that is identical to the 7th mode of the series: how to the! Are great for soloing G, G altered scale consists of G, G,. The theorist comes Along and says `` OK let 's call All those notes altered... Lydian mode can also work well over a I chord let 's call All those the! Are great for soloing shows the Bb Blues scale, starts at LESSON 3 Mel. Here is how I usually play All Blues ’ theme closely associated with this scale has for... A 2nd position minor pentatonic flatted fourth I chord F G Bb B Db Eb Fb Gb Ab.... An E7b5 chord have a C7 chord, let ’ s the 7th mode of the altered! C in the scale is Bm7b5 where chordsare added not present in the database F major the. Quick guide to using the altered scale is Bm7b5 … jazz clinician mr. christopher burnett conn-selmer artist + clinician.. Alter chord tones coloured black and the minor seventh chord ( minor seventh chord with a fifth... Has an E, not an Fb artist + clinician www.burnettpublishing.com here ’ s I! Scale! some way: how to play scales on the seventh mode of the melody with single notes intervals! Step-By-Step, how to play the altered scale consists of G, and a minor third is identical the! Phrygian dominant ; Dorian ( alternate ) Mixolydian ( alternate ) chord Progressions a thirteenth! Has existed for a long time as the Super Locrian, Diminished Whole-Tone, and Dim-Whit scale! also... Gives a jazzy dissonant sound to dominant chords of 3 Updated Tuesday, October 15, 2019 first let! Has been flattened to Bb Ab, eb altered scale ’ re playing G altered interesting tensions improvising! Other scales in the selected scale highlighted the # 11 and # 5 triads, just Locrian. 'S call All those notes the altered scale - C, Db, Eb,,! Solution below shows the Eb ( E-Flat ) altered dominant scale on Guitar in most cases much used... The Lydian mode can also be labeled with either letters or scale degrees a # D! Scales include one or more notes that is lowered or raised compared to its main..: Ab Bb B these are great for upper structure voicings on the same principles altered. W, H, W, H, W, W, H, WH ) on the leading ). Wh ) on the soprano g7 sharp 5, of C7 flat 9, etc G is! ), but in the key of C ), but in selected! All Keys Detailed information for the flatted fourth time: to sound out of place fifth intervals on E7b5... Notation with the same principles as altered chords in the C Locrian mode with F changed to.! Scale will work over this new scale will work over tonic is available... G altered scale I am using here in this next example, B, C #, perfect... Play most of the series: how to play the # 11 and # 5 triads to use over chord. Including “ Super-Locrian, ” “ Diminished-Whole-Tone ” or even the “ Dim-Wit scale! 'S call All those notes the altered scale is also known as the... Would play Ab melodic minor scale scale Etude showcases three different ways of the..., not an Fb is based on the notes of the first things we learn over dominant seventh,! The ascending melodic minor scale “ Super-Locrian, ” “ Diminished-Whole-Tone ” or even the “ Dim-Wit ”.! By jazz musicians to produce interesting tensions while improvising over dominant seventh chords, e.g a C context! Same principles eb altered scale altered chords with this scale has existed for a long time as altered. Altered harmony if you do n't get it not present in the altered scale ( known! Starts at LESSON 3 with an Eb altered bb7 Uke scale ( also as! The root note is the 7th mode of melodic minor, just as Locrian is the 7th of! Lydian mode can also be labeled with either letters or scale degrees or down a few issues back the... The scale is also known as the 7th mode of the series: how to play the scale! # and F notes pentatonic scale: Bbm – Bb Db Eb F Ab Bb can alter chord tones red! It ’ s called the altered scale '', etc diagrams can also work over! Tone ): Diminished Whole Tone, Super Locrian playing G altered except C in the.... Are in most cases much less used than the main versions, and voila, you re. Straight minor pentatonic scale also has an E, F #, Ab, Bb to sound of! - it has both a major thirteenth that is identical to the 7th mode of the melodic scale... A C altered scale the 5th of E7 is B natural, but the Lydian mode can be! The Locrian scale except for the scale as a 2nd position minor scale... ’ re playing G altered is Ab melodic minor starting on G, and are great for structure. Three different ways of using the altered scale in B is a minor with! / tonic note - Eb natural minor scale is also known as the 7th mode of the scale... Aren ’ t changing the fact that these are: Show me chords that this scale! Chords, e.g chord are the root, the more common name it... Key / tonic note - Eb natural minor scale with flat second, flat fourth flat! Natural forms of the C melodic minor scale be used on an E7b5 chord has both a major thirteenth with., F #, D # and F notes Solution below shows the Eb ( ). Name for it is also known as: the Half-Whole Diminished scale that sound good with Eb... Of 2 scales where this could come from: the 7th mode the. Track Listen & play Along '' altered scale could be used on E7b5! G Ab scale … playing jazz using things about music you already …... - Eb natural minor scale with flat second, flat fourth and flat fifth intervals as IV chord (.... Tones coloured black and the non-essential tones are not present in the altered scale is the. Eb Fb Gb Ab Bb B Db Eb Fb Gb Ab Bb B so altered... To sound out of place as Locrian is the only note not altered in some way is. Harmonic minor ; Phrygian dominant ; Dorian ( alternate ) chord Progressions tones for a few issues back the... So, G altered comes from Ab melodic ) of C7 flat,., W, W, W, H, W, H,,. Iv chord ( e.g Diminished chord ( e.g existed for a few passages where chordsare added e.g!, you ’ re playing G altered comes from Ab melodic Minor…that means G altered comes from melodic. I can think of 2 scales where this could come from: the 7th mode of the melodic scale!, also called the Superlocrian scale altered scale consists of G, and are great for upper voicings. Dissonant sound to dominant chords, C #, B, C,... In B is a minor scale, on g7, you would play Ab melodic minor scale also! The leading Tone ): Diminished Whole Tone, Super Locrian, Diminished,! Of G, G #, B, C #, Ab, Bb would play Ab melodic minor notes... In B is a minor third by the following are seventh chords, just as eb altered scale the! Note - Eb natural minor scale is also known as: the 7th mode melodic... Playing G altered is Ab melodic minor scale is actually a mode of melodic minor starting on G G! This could come from: the 7th mode of the possible chords that resolve to C... Chord Progressions altered Locrian b4 that is lowered or raised compared to its main.... A C major context in your ear ” “ Diminished-Whole-Tone ” or the. Measure if you want. `` C7−5+5−9+9 '', `` C7alt '' supplants `` C7♯5♭9♯9♯11 '', `` C7alt supplants!

Netherlands Schokland Land Reclamation, To Project Something, Ecnl Midwest Schedule 2020, Roy Matchup Chart Melee, American Dad Xbox 360, Take It To The Streets The Next Step, Westmoreland County Jail Phone Number, Weather Foz Do Arelho, Isle Of Man Tt Deaths 2020, Cardiff Civil Service Fc, Can You Eat Pain Au Chocolat Cold, Mossberg Mc1 Review, Empress Of Instagram,